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26‑Year‑Old Fatally Shot in Anguilla, Marking 3rd Homicide of 2026.

26 year old alleged victim. Reports reaching All Angles UK from our correspondents in Anguilla confirm that the Royal Anguilla Police Force (RAPF) is investigating the island’s third homicide of the year, following a fatal shooting in the South Hill area during the early hours of Saturday, 14 February 2026.  LIVE RADIO LISTEN NOW Police say that at approximately 2:20 a.m., officers responded to reports of multiple gunshots in the Back Street area, where they discovered a 26‑year‑old male lying unresponsive outside an apartment complex with multiple gunshot wounds. He was pronounced dead at the scene by medical personnel. The victim has not yet been publicly named. AD: SHOP WITH AVON This killing marks Anguilla’s second unsolved homicide of the year and adds to the 11 cases that remained unresolved at the end of last year. The area has been cordoned off as investigators process the scene and pursue several lines of inquiry. Police have not announced any arrests or identified suspec...
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Speechless but Not Silent: Stalk Ashley Won't Beg for Space She's Taking It.


In a genre where the ladder to success is steep—and often stacked against women—Stalk Ashley is climbing with fire in her voice and grace in her stride. The dancehall industry hasn’t made it easy, but she’s not here for easy. She’s here for impact.

Stalk Ashley Vibe Magazine

Recently, her track “Speechless” sparked controversy when producer Rvssian declined to authorize it for the Story Book Riddim, despite its lyrical brilliance and cultural relevance. But instead of backing down, Stalk Ashley did what queens do—she released the video anyway, promoted it fiercely, and let the music speak for itself.

“This is not a remix. This is a response. A counter-action. A mirror held up to the original.”

Stalk Ashley’s latest releases, “Back Outside” and “Chosen,” are more than just songs—they’re statements. “Back Outside” is a bold re-entry, laced with confidence and clarity, reminding the industry that she’s not just returning—she’s reclaiming

To the gatekeepers, critics, and doubters: she’s not waiting for permission. She’s building her own lane, her own riddim, her own legacy. And the fans? We see her. We hear her. We salute her.



Meanwhile, “Chosen” strips things down to soul and substance, a melodic affirmation of self-worth and divine timing. 

Together, they show her range: raw when she needs to be, refined when she wants to be. If dancehall had doubts, these tracks are the answer. She’s not next—she’s now.

Stalk Ashley isn’t just surviving dancehall—she’s redefining it.

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