Share Buju Banton has ignited a wave of excitement online with his new single Butterflies , and fans are making one thing clear: “The old Buju is back.” The track, released under VP Records , taps into a nostalgic reggae pulse that listeners say they haven’t felt in years. Many are calling it a spiritual return to form, praising the richness of his vocals and the unmistakable energy that defined his early career. One commenter summed up the mood perfectly: “Buju find it again — this is the Buju we love.” Across the comment section, fans are reacting with a mix of gratitude, emotion and pure musical joy. Several listeners described the song as “uplifting,” “timeless,” and “a masterpiece,” while others highlighted how the Real Rock‑influenced production gives the track a classic reggae heartbeat. One fan wrote that the song gave them “goosebumps,” while another said it felt like “a breath of fresh air in modern reggae.” The consensus is loud: Bu...
The outrage over Michael B. Jordan and Delroy Lindo being called the N‑word on national British television today is understandable, but the shock? That’s the part we need to interrogate. This wasn’t a live broadcast. It was taped, reviewed, edited, approved, and still aired. That means multiple people saw the slur, had the power to remove it, and chose not to. So the question isn’thow did this slip through? It’s why was it allowed through? Was it carelessness, cultural incompetence, or something far more revealing about the way Black people are still positioned in British media spaces?
John Davidson, a Tourette’s syndrome activist and inspiration for the film I Swear, was identified as the audience member who shouted expletives and the N‑word while Michael B. Jordan and Delroy Lindo were on stage:Image Credit: Getty Images.
Earlier this year, ALL ANGLES UK examined this very pattern in our piece on Nick Buckley, where he publicly declared that “no one cares about being called racist anymore.” That sentiment didn’t come out of nowhere — it reflected a growing boldness, a confidence among some that racism has become socially negotiable again. Today’s broadcast feels like a continuation of that same cultural shrug. When a slur as historically violent as the N‑word can make it through an entire production pipeline without anyone stopping it, it tells us something uncomfortable: racism isn’t being dismantled; it’s being normalised.
Britain loves to congratulate itself on being “post‑racial,” yet incidents like this expose the myth. The shock many people feel today is less about the word itself and more about the realisation that the systems meant to protect marginalised communities simply don’t. If a global superstar and a veteran Black British actor can be publicly demeaned without intervention, what does that say about how everyday Black Britons are treated in workplaces, classrooms, and public life? The message, intentional or not, is that respect is conditional, and dignity is negotiable.
We can debate whether this was a mistake or a message, but the impact is the same: it reinforces a hierarchy Britain still refuses to confront. Racism here isn’t hiding in the shadows; it’s flourishing in plain sight, woven into decisions made in rooms where no one feels compelled to say, “This is unacceptable.” And until that changes, the shock will keep coming, not because these moments are rare, but because they reveal a truth many would rather ignore.
