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Why Was the Nova Festival Extended Hours Before the 7 October Attack? The Questions Israel Still Faces

Nearly three years on, debate over what was known before the Hamas attack continues to fuel demands for answers and accountability. Share Nearly three years after the 7 October attacks, one question continues to haunt public debate: could the tragedy have been prevented? As more testimony, intelligence reports, media investigations and political statements emerge, scrutiny remains fixed on whether Israeli authorities possessed warnings that pointed to an impending Hamas operation and, if so, whether those warnings were adequately acted upon. At the centre of the discussion is the Nova music festival, held near the Gaza border, where hundreds of civilians found themselves caught in one of the deadliest attacks in Israel's history. The debate has been fuelled by reports that Israeli intelligence had received indications of Hamas planning a major assault prior to 7 October. Critics argue that the sophistication of the attack, combined with the hea...

Jamaican Patois Humiliated in Parliament? Critics Say Jamaica Is Rejecting Its Own Heritage


Critics say the decision to block Jamaican Patois in Parliament exposes a deeper cultural divide between national pride and colonial-era ideas of “proper English”.

For millions of Jamaicans, Patois is not a dialect spoken on the margins of society; it is the language of home, humour, music, grief, resistance and national identity. Linguists have long recognised Jamaican Patois as a legitimate creole language in its own right, complete with grammatical structure, academic study and even its own international language code. Yet this week, in a moment that has ignited fierce debate across the island, that same language was effectively silenced in the nation’s highest democratic chamber.

The controversy erupted when Opposition MP Nekeisha Burchell attempted to begin her parliamentary contribution in Jamaican Patois during a debate on culture and the creative industries. Within seconds, House Speaker Juliet Holness shut her down, invoking parliamentary standing orders requiring “standard English” inside the House of Representatives. The symbolism was impossible to ignore. In a country where the overwhelming majority speak Patois daily, the language understood by ordinary Jamaicans was deemed unfit for Parliament itself.

The incident has reopened an uncomfortable national question: why does Jamaica continue to treat its own linguistic heritage as something unofficial, informal and somehow inferior? For decades, Patois has carried the stain of colonial hierarchy — the lingering belief that “proper English” represents education, authority and respectability, while the language born from enslaved Africans surviving British rule belongs only in the streets and dancehalls. Critics argue that the decision in Parliament exposed a deeper cultural contradiction at the heart of modern Jamaica: a nation globally celebrated for reggae, Rastafari and patois-infused identity, yet still hesitant to fully legitimise the very voice that shaped that identity.

Supporters of the Speaker insist parliamentary rules exist to preserve clarity and order. But opponents see something far more profound — a post-colonial nation policing its own authenticity. Burchell herself pointedly observed that there could be “no more fitting way” to discuss Jamaican culture than in the language spoken by the Jamaican people, before sarcastically reverting to what she called “the Queen’s English”. 

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Her remarks landed with particular force in a country still wrestling with the shadows of empire. The backlash now spreading across social media and political circles is not simply about language. It is about class, power, identity and whether Jamaica is truly proud of its heritage — or merely proud of performing it for the world while suppressing it at home.

BY: C. Dunkley

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