Trayvon Martin and Cyrus Carmack‑Belton should still be alive. Their deaths highlight the deadly consequences of bias and the limits of self‑defence laws. Share Four bottles of water. A bag of Skittles. Ordinary items that most people would never associate with danger. Yet for two Black teenagers, separated by more than a decade, these everyday objects became symbols of how quickly innocence can be reframed as threat — and how devastating the consequences can be when suspicion meets racial bias. One was 17‑year‑old Trayvon Martin , shot and killed in Florida in 2012 while carrying a bag of Skittles and an iced tea. The other was 14‑year‑old Cyrus Carmack‑Belton , fatally shot in South Carolina in 2023 after being accused of taking four bottles of water. Their cases unfolded in different states, under different laws and before different juries, but they remain connected by a haunting truth: for some young people in America, the smallest assumptio...
How a poet from rural Jamaica became the BBC’s first Black woman producer and a defining voice of Caribbean literature.
Una Marson’s story is one of brilliance forged in the margins, a Jamaican woman who refused to stay in the quiet spaces history assigned to her. Born on 6 February 1905 in Santa Cruz, St Elizabeth, she grew up in an intellectually rich household shaped by her father, Reverend Solomon Isaac Marson, before his death forced the family to relocate to Kingston. There, she stepped into adulthood early, working as a reporter and social worker while sharpening the voice that would later challenge both colonial power and gendered expectations.
In her poem, Marson confronts the trauma of being called a racial slur, tracing its origins to slavery and exposing how it was used to dehumanise Black people and reinforce white supremacy.
By the late 1920s, she had already broken barriers, becoming Jamaica’s first female editor and publisher with her magazineThe Cosmopolitan,a platform that championed feminist ideas, workers’ rights, and emerging Caribbean literary talent. Her ambition carried her far beyond Jamaica’s shores. In 1932, Marson travelled to London, driven by what she described as a longing for the literary world she had devoured in books. But London was no romantic escape — it was a battleground.
As a Black immigrant woman, she confronted racism and sexism head‑on, transforming those experiences into activism. She became editor ofThe Keys, the journal of the League of Coloured Peoples, and joined international feminist organisations, using her pen and her presence to demand equality. Her poetry collections, includingTropic Reveriesand The Moth and the Star, explored themes of love, identity, and Black heritage, marking her as a vital early voice in Caribbean feminist literature. Marson’s influence deepened during the Second World War, when she became the first Black woman employed by the BBC.
In 1942, she took over the programme Calling the West Indies and transformed it into Caribbean Voices, a groundbreaking literary broadcast that introduced global audiences to writers who would later define Caribbean literature. Her work at the BBC was not merely administrative, it was visionary. She carved out a space for Caribbean storytelling at a time when such voices were routinely dismissed, helping to shape the region’s cultural identity for generations to come.
Despite her international achievements, Marson never abandoned her commitment to Jamaica. Returning home in the mid‑1930s and again after the war, she founded literary clubs, staged plays, and continued to advocate for women’s rights and social welfare.
Marson created this organisation to help provide poorer Jamaican children with access to basic education, showing her commitment to social welfare beyond literature.
Her legacy is one of relentless creativity and courage, a woman who wrote, edited, broadcast, organised, and agitated with a clarity of purpose that still resonates today. Una Marson died in 1965, but her imprint on Caribbean literature, feminist thought, and Black British history remains unmistakable. She was not simply ahead of her time; she was building the future.
