The claim appears in a forthcoming memoir and has reignited discussion surrounding one of the Royal Family's most scrutinised marriages. Share Princess Diana’s brother has made an extraordinary new claim about the breakdown of her marriage, alleging that the late Princess once told him her husband was “in love with his valet” . Charles Spencer, the 9th Earl Spencer, recalls the private conversation in his forthcoming memoir, Swan Song: Diana, My Sister, as he prepares to share his version of events nearly three decades after Diana’s death. Earl Spencer appears on the BBC discussing claims from his forthcoming memoir, Swan Song: Diana, My Sister , in which he recounts private conversations with Princess Diana about the breakdown of her marriage to the then-Prince Charles. According to Spencer, Diana made the remark during lunch at a London restaurant after announcing that she intended to seek a divorce. When he reportedly warned that the public ...
Safety Doesn’t Require Shame: DJ Puffy and a Wider Problem in DJ Culture
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DJs have long used taunting as entertainment — but women bear the brunt of the harm.
When public concern is used to justify public humiliation, women are right to question whether the apology that follows truly confronts the harm. That is the tension at the centre of the controversy involving DJ Puffy and his treatment of a female reveller at Notting Hill Carnival. His statement acknowledges wrongdoing, but it stops short of recognising the deeper injury: a woman’s dignity was compromised before a crowd, and the explanation offered does not fully account for that.
A reach this size isn’t just numbers on a screen — it’s cultural influence. With over 447K followers on Instagram and 434K subscribers on YouTube, DJ Puffy’s online presence stretches far beyond any single event. His voice travels, his moments are magnified, and whatever he says or does is instantly carried across a global audience.
DJ Puffy is not the first DJ to cross this line. In Carnival culture and beyond, some DJs have long used the microphone as a tool to taunt people in the crowd — sometimes to hype the next song, sometimes to shade someone for entertainment value. The difference today is that more of these moments are being recorded, shared and scrutinised. What was once dismissed as “part of the vibe” is now being recognised for what it is: a misuse of power that disproportionately targets women, who already face heightened judgement over their bodies and behaviour in public spaces.
DJ Puffy’s apology — sourced from The Shade Room.
If safety was genuinely the priority, humiliation was never required. A simple, direct instruction — “Please come down, you could hurt yourself” — would have done the job. Instead, a microphone became a weapon. And when a DJ uses amplified power to single out a woman, the insult becomes communal. It is heard, absorbed, repeated. Her character becomes part of the entertainment, and the harm lingers long after the music fades. Warning and entertaining should not have to come from insult; they should come from talent, professionalism and respect for the people who make Carnival what it is.
Here’s the footage that started the conversation.
A meaningful apology must confront that imbalance. One person had the microphone; the other had no equal way to respond. Carnival is a celebration of culture, joy and freedom — none of which require stripping a woman of her dignity to make a point about safety or to hype a crowd. DJs hold a unique responsibility: their words shape the atmosphere. Their approach matters. And when their platform is used to shame rather than protect, the damage is not accidental — it is amplified.
The real apology begins with the woman who was humiliated. It acknowledges not only that the comment was “unnecessary”, but that it weaponised a public platform against someone who deserved better. This controversy is not about whether climbing a light post was wise. It is about what happens when someone with amplified power forgets that having the microphone does not give you the right to diminish the woman standing beneath it — and why the culture of crowd‑shaming in DJing must finally be challenged.
